Waseda Institute for Advanced Study
Japan
Even today, Edo period woodblock prints and paintings (ukiyo-e) are evaluated according to art historical conventions that prioritise technological innovation over the continuity of established modes of expression. Yet innovation is neither a spontaneous phenomenon nor immediately accessible to everyone. Focusing on the artists behind the innovation-centric canon, my research explores the significance of artistic continuity in times of technological transition to point out misattributions in art historiography that continue to affect our understanding of ukiyo-e to this day.