event

Sylvia Wynter: Being Human Guest Speaker Series

-
450 Jane Stanford Way, Building 80, Stanford, CA 94305

The Department of African and African American Studies (DAAAS) presents a Guest Speaker Series, “Sylvia Wynter: Being Human.”

 This series is in collaboration with Prof. Michele Elam’s graduate course on Sylvia Wynter, AFRICAAM 249C, and honors the political, creative, and intellectual legacy of Sylvia Wynter, a former Stanford faculty member in the Departments of English and Spanish and Portuguese, and former Director of the Program in African and Afro-American Studies.

Key Goals:

1. Showcasing one of Stanford’s most powerful intellectual scholars and cultural critics of the 21st century.

2. Leveraging renewed academic interest in Wynter’s scholarship and writings.

3. Providing a platform for junior scholars and Ph.D students to present their work and network with senior scholars in their field.

Speaker

May 20: "Outside our Present Conception of the Human"Dr. Che Gossett, Ph.D in conversation with Seyi Osundeko (English Ph.D. Student)

Che Gossett is a non-binary writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought and black study. Their forthcoming work includes a special issue of Social Text, co-edited with Tavia Nyong’o on Sylvia Wynter and the question of technology, and a special issue of Trans Studies Quarterly, co edited with Sora Han, on blackness, transness and psychoanalysis. They also host a podcast, titled FQT podcast, where they are in dialogue with artists, scholars, poets, physicists, musicians, writers, and filmmakers. They hope you will check it out! 

May 27: " Reflections on Sylvia Wynter and the Question of Technology.”Professor Tavia Nyong’o in conversation with Kay Barrett (English Ph.D. Student & Knight-Hennessey scholar.

Tavia Nyong’o studies Black queer performance, speculative aesthetics, and affective historiography. He is the author of The Amalgamation Waltz: Race, Performance, and the Ruses of Memory  (University of Minnesota Press, 2009) and Afro-Fabulations: The Queer Drama of Black Life (New York University Press, 2018). He co-edited José Esteban Muñoz’s The Sense of Brown (Duke University Press, 2020) with Joshua Chambers-Letson. His current work spans the performative turn in museum practice, the re-examination of “race” and racism in performance and aesthetics, racial and sexual dissidence in art, and the self-conscious end of unaugmented thought. A 2024 Guggenheim Fellow, Nyong’o is the author of Black Apocalypse: Afrofuturism at the End of the World (University of California Press, 2025), which reframes the binary of afropessimism and afrofuturism to explore Black speculative thought at the edge of planetary crisis. He continues work on two additional books: a cultural history of race, sex, and gender in postwar Downtown New York, and a public-facing study of the racial reckoning in contemporary art and performance.

(All talks-1.30-2.3pm; Q&A, refreshments-2.30-3.00pm)

RSVP HERE.